A. The general turnaround on a
setup or other light repairs is 5 working days. Often it is faster.
A. Plek G& P (fret dress) is 5 days.
A. Re-Fret & Plek on plain boards average 14
work days.
A. Re-Fret & Plek on lacquered boards, with
a gloss finish average 3-4 weeks.
All turn times are approximate and can be affected by the following
factors:
• How many similar jobs are currently in the shop.
• A job presents unexpected issues that take longer to resolve.
• Availability of parts.
• On finishing work: The weather can be a factor.
• An unexpected high volume of traffic: Meaning how many interruptions
(phone calls etc) we get during a day or series of days.
This is a very generic overview of things. Once we see an instrument
we can be specific about cost and time.Top
Q. What is the turn around time on a
setup?
A. Usually four or five working days.Top
Q. What does a setup include?
A. See the Setup FAQ
Top
Q. Is my guitar worth repairing?
A. Ask yourself the following questions:
1) Do you like the instrument? (Neck profile / Balance / Body
fit [your body] / Vibe)
2) Has the instrument proven it's stability over the time you've
had it? (is it constantly in the shop)
3) Do you have an emotional attachment to the instrument?
4) Can you go out and buy something that you like better for the
same price as the repair?
An instrument which has served reliably a number of years is usually
worth resurrection. Especially if it hasn't needed a lot of adjustments
to keep it in playing shape. Seasonal adjustments or maintenance
to off set wear and tear are to be expected. If your axe goes
out of adjustment every time you look at it cross eyed, it may
time to roll it over. But before you make a hasty decision, let
us evaluate it. There may be an explanation and correction for
the instability.
With instruments that are stable but need a lot of work, a repair
may cost as much, or more than it's purchase price. This can be
especially true if you've owned an instrument for a long time
or bought it second hand. The counter balance is you may not be
able to replace it with something you like as much for the cost
of the repair. And more importantly you can't put a price on stability.
Having an instrument that is totally stable and then tweaking
it out is an ideal situation for most players. Plus, there is
no question having custom work done for: frets, wiring, hardware
upgrades, etc will be more satisfying than production grade work
on a new factory made instrument.
If you have an emotional attachment to the instrument (it was
your first guitar/your Mom or Dad's guitar/ etc); The next question
is should you make it a player or a wall decoration. If the instrument
is going to be a player, put the work in and have it made right.
If it's going to be art, let's clean it up, make sure it won't
fall apart, and find a way you can safely display it to avoid
accidental damage. Top
Q. I've been adjusting my own guitar
for years without any problems but lately there is a buzz / an
intonation problem that I can't get rid of can I'm sure it's something
small. Can you fix it?
A. In most cases yes. But the problem may not
be small. If it was you'd probably have fixed it yourself. See
the Setup FAQ for more on this. Top
Q. Can you adjust my instrument while
I wait?
A. Generally, no. There are several reasons.
Most of them revolve around the premise that we want to return
your instrument in as stable and reliable state as possible. To
accomplish this, we test an instrument over a few days to make
sure it's staying where we put it. Or if this is an electronic
problem we want to take the time to fully diagnose the situation
and make the best repair.
However there are some exceptions. If we've worked on your instrument
recently, it's possible a small adjustment will do the trick and
can be done while you wait. Or, if a small repair would only take
five or ten minutes, we have a free bench, and no preexisting
deadline will be affected we will try to accommodate a player's
emergency.
If this is the first time an instrument is at Peekamoose, we recommend
you consider letting us spend the extra time to fully evaluate
an instrument's strengths and weaknesses. This involves doing
a series of adjustments, inspections, and tests, it takes a little
extra time, but you will end up with a far better understanding
of where your axe is at. Better to know if there is a weakness
that could fail and handle it in advance than discover something
at a gig. Top